Campaign Report - The Price of Freedom - 01

Last sunday, july 3rd, we gathered for our first game session. We've met before to discuss what kind of campaign we wanted, but this would be our first time actually playing. The group is composed of 7 people, me as the DM and 6 friends. For the first time I can recall my group has an equal number of female and male members.

This first session only 4 out of the 6 players showed up (one was traveling and the other was sick). The characters created were the following: Eben, a male battlemind mul, that after helping the rebellion to free Tyr of Kalak decided to set higher objectives and spread the good wherever he would go; Arbitria, a female half-elf Sentinel Druid, that, despite her relationship with the spirits of Athas, is more interested in taking advantage over those spirits to achieve her goals;  Abbadon, a male human Scout Ranger, a former Templar of Tyr that abandoned his post during the rebellion and now lives as a head-hunter and mercenary; and Althea, a female eladrin seeker, who lost her home to the defilers of Athas and now roam the world in search for vengeance and a meaning to survive. The party formed because of the circumstances in Tyr and the need to get resources to survive in the chaotic states of affair in the city.

Campaign Report - The Game We Want to Play

This is going to be a new series of articles on this blog. I will write about the campaign I will be DMing to my friends now that I am back to my home town. It has been 3 years since I last played D&D or any other tabletop RPG so I am kinda rusty.

On the other hand, I never read so much about DMing and creating a nice campaign and interesting adventures, so I do not feel so unprepared. One of the things I read about (in the Dungeon Master Guide 2) was Colaborative Campaign creation. So I decided to give it a first try with my group.

Monstrous Plots - Orcs

In the first Mounstrous Plots post we talked a little bit about kobolds and presented some situations involving those creatures to help create adventures. Now it's time we take a look at one of the most iconic monsters of every fantasy setting, the orcs.

Orcs are usually portrayed as savage, brutish and cruel humanoids with a taste for destruction. They tend to be primitive savages who value strength above all things. They survive on raiding other humanoids and other orc tribes, and they relish for violence. But not all orcs have to be this way.

Some scenarios describe orcs as a primitive folks with shamanistic traditions and a brutish but honorous code of conduct. Those orcs still value strength, but together with wisdom, elders, spirits and honor. Sometimes, orcs are presented as mindless berserkers and other times as highly militaristic warriors. They can be as varied as humans, but some common traits usually appear in all characterizations, their barbaric traditions and value of strength.

Following there are a few situation ideas to get adventures started. They were also based on the situations I talked about in the article I wrote about adventure building. They were also based on varied concepts about orcs that appear in fantasy such as orc's horde, their rivalry with dwarves, the wars they have between their tribes, their sense of honor.

Adventure Building (Part III): Cast

On the previous post I wrote a few things about elements of an adventure such as Plot and Location. Today we will talk a bit about the Cast of an adventure, another main element of any interesting story.

The player's characters are obviously the main characters of the adventure, but any story needs its supporting cast and, of course, a antagonist. About the antagonist, every cool adventure needs a villain, a character the players hate and want to defeat it, that makes the adventure goes forward.

Adventure Building (Part II): Location

On our last post we talked about the elements of a good adventure. Three of those I consider the main elements, which are the plot, the location and the cast. We already talked about the plot and suggested a few themes and some questions for you to think about on each one. Today we will talk about the location element.

The location element is where the adventure takes place, where the main acts of the story happen, where the final epic battle get fought. Those places have a significant influence on the adventure, and can make the story much more interesting and alive. It's one thing to battle kobolds on a bare dungeon room, but it's entirely different to battle them in an ancient temple dedicated to Tiamat built beneath an dragonborn's city ruin. The possibilities and images that come to your mind on the second scene are almost endless compared to the first one.

When you think about the place where the events will unfold you have to ask yourself what is different about that place that makes it special? Is there something that makes that particular location different from the others? Is there something magical, fantastic, terrible there? Those kind of questions help you think about where the adventure takes place. Sometimes the location can even be the adventure it self, like when the party needs to escape a dangerous maze-like dungeon. So when you plan your adventure, try to give the location a personality, interesting characteristics and an unique story. This will help you bring the story to life.

Adventure Building (Part I): Plot

I am about to DM an adventure for some people that never played D&D before. So I wanted to create a small, fast and exciting adventure so they would be hooked into D&D for now on. But how can I do that? By creating an adventure that makes them believe in it, an adventure they could not forget easily, an adventure with compelling elements.

So, what are those elements? Well there are numerous elements in an adventure, but the most important are the plot, the location, and the cast. Those three are the main elements that are the core of the adventure and define everything else like encounters, skill challenges, puzzles, atmosphere and others.

In order to make a memorable adventure, those elements should be worked very well by the Dungeon Master. Because of that I decided to make a helping sheet to make me think about those important elements. This post we will look at the plot element.

Monstrous Plots - Kobolds

This post is the first one of a series I am going to make about adventures plots involving creatures from Dungeons and Dragons. It will work something like this: I will choose a creature from the D&D universe and try to write a few adventures plots that include them either as enemies, allies, patrons or whatever trying to vary as much as I can. Also, in those plots, I will try to put the creatures in different situations, trying to avoid the cliché ones they are used associated with, but I can’t promise I will be successful in doing that all the time.

The first creature to appear in our Monstrous Plots series is the Kobold. Kobolds are small reptilian creatures usually known to be cowards and cruel murderers at the same time. They live in barrows with mazelike tunnels filled with deadly traps they make to avoid intruders to find them and prisoners to flee. Know to be a race of surprisingly excellent miners, Kobolds are fond of gems and shinning objects, which some says that they received that from their dragons ancestors. Kobolds revere dragons as if they were gods, although most of these “gods” ignore them or simply eat them. Many towns have ignored kobolds for too long considering them just as an occasional annoyance to one day see their community overrun by these creatures, even being known by their cowardice kobolds can be surprisingly bold if they have a proper reason.

Enough with the chitty chat, right? Let’s check those plots I talked about!

Colaborative Campaign Building

I read the Dungeon Master’s Guide 2 a couple of weeks ago and realized something about my campaigns. I always made them thinking about myself, what I wanted it to be like, who I wanted the players to fight against, where I wanted to adventures to happen and so forth. By doing this I may have created good adventures, but with the help of my players I could have built greater ones that would relate to them more easily and they would remember it for years.

The book suggests that you should get input from your players about what they want in the campaign. What kind of campaign they you like to play? What enemies they want to face? Do they prefer combat encounters or interaction encounters?